ISADORA DUNCAN (1877-1927)
Commissioned By LOIS A. FLOOD
Written By PAUL-JAMES DWYER
Part I
Isadora writing
her memoires in Paris, in 1926, told a young American journalist William Shirer,
“How can we write the truth about ourselves. Do we even know it?” She died
tragically over eighty years ago, but still fascinates. What is the truth of
Isadora’s art and amazing life? Dorothy Parker wrote just after her death in
1927, “Here was a great woman; a magnificent, generous, gallant, reckless, fated
fool of a woman. There was never a place for her in the ranks of the terrible
slow army of the cautious. She ran ahead where there were no paths.”
But let’s start
at the beginning!
Isadora was
born Angela Dora Duncan, May 26th, 1877, at 501 Taylor Street in San
Francisco. Her mother Mary Dora Gray was a gifted pianist, who had already given
birth to three other children. Elizabeth born in 1871, became the greatest
teacher of the Duncan Dance technique. Augustine born in 1873, would became a
famous actor, who for many years was head of the Actors Guild. Raymond born in
1874, was an eccentric artist who qualifies as the first “hippie”. A dedicated
vegetarian, he let his hair grow shoulder length, wore sandals year-round and
founded an ascetic cult colony of all things Greek. At one point he kept a herd
of goats in a Paris apartment, for their milk...to the putrid consternation of
the landlord and other tenants!
Their father
was Joseph Charles Duncan, born in Philadelphia in 1819. He was a business
entrepreneur, banker and published poet, who started off working in a newspaper
in St. Louis and later moved to San Francisco during the 1848 Gold Rush. By the
time he married the twenty year old Mary Dora, in 1869, he was a fifty year old
widower, with four grown children. In 1877 with the birth of the last child
Isadora, the marriage was in its final stages. Joseph Charles was a very
restless man, who won and lost at least four fortunes over the course of
his life.
The constant
financial instability meant that the family was forever moving household and
exchanging ownership for smaller rentals. Soon after Isadora was born, the house
on Taylor Street was sold by Joseph Charles, who also abandoned the family,
leaving Mary Dora and the children stranded. As the deed and title was in his
name he simply sold it out from under them. Another major strain on the marriage
had been his numerous amorous affaires. The most recent one becoming public
knowledge, with the publication of a perfumed letter, as a result of his own
bank, The Pioneer Land & Loan Bank's collapse in October. An arrest warrant
was issued in his name and he went into hiding, with a five thousand dollar
reward posted “dead or alive”. February 25, 1878 he was found and arrested,
dressed as a woman hiding out in a flop-house downtown in the “tenderloin”
district of San Francisco. The scandal was the stuff of legends and caused
considerable family shame. As Mary Dora’s own father, Colonel Thomas Gray was
figure-head president of the failed bank, he was tarnished as well. There was
some talk of him losing liberty and fortune but he pleaded “insufficient
knowledge” and except for his reputation, survived the angry depositor’s wrath,
and the long arm of the law. Father and daughter were not on good terms for a
long time afterwards, though she had nothing to do with her husband’s shady
financial dealings.
Mary Dora and
Joseph Charles legally separated and she moved the children into Henry House,
now called The Portland Hotel, on Ninth Street in Oakland, to get away from the
scandal and vicious gossip. Besides, Oakland was cheaper to live in than San
Francisco, being out “in the sticks”, as they used to say.
The entire
situation seems to have precipitated a spiritual crisis for Mary Dora, along
with the economic, logistic and matrimonial ones. She lost her faith soon after
she had all the children baptised, at Old St. Mary’s Roman Catholic Church, at
660 California Street, in San Francisco. She may have been held up to it, by her
devout parents, as a proviso for financial assistance during the family
transition. We don’t really know? However, the children’s baptisms were her last
act as a Christian. She never remarried, became an atheist, following the ideas
of secular humanist writer, Robert Ingersoll. Isadora maintained the rest of her
life, “I am a pagan.”
To earn a
living a living Mary Dora took to knitting, gave music lessons and cared for
other people’s children at her own home, during the day. These babysitting
activities are probably the basis of Isadora’s and Elizabeth’s first dance
classes. The family knew poverty and the four children sometimes went hungry.
The end of the marriage brought Mary Dora no financial settlement, neither did
any social assistance exist in that era. Because of non-payment of rent, they
periodically were forced into a nomadic existence. For the next fifteen years
they were living exclusively in Oakland.
From 1877 to
1893 the Duncans lived at the following addresses. In 1880, they lived at 746
Fourth Street before moving onto to 1254 San Pablo Avenue. They also lived at
1365 Eighth Street. In 1887 they were in residence at 1156 ½ Seventh Avenue. The
children all went to Franklin School at Tenth Avenue, where Gertrude Stein was
also a classmate.
Joseph Charles’
trial was finally heard in July 1882 and dismissed “owing to the failure of
important evidence relied on by the prosecution”. The next year he packed off to
Los Angeles and opened up for business, married for the third time and had a
ninth child, a daughter.
In 1893 he
resurfaced in San Francisco and purchased an estate called Castle Mansion, which
stood at the north-east corner of Sutter and Van Ness. It is now the site of the
Regency Theatre. He offered its use to Mary Dora and the children. It included a
large garden, tennis courts and a barn which Augustine and Raymond promptly
turned into a theatre. But that didn’t last long. In 1895 he again suffered
financial losses and sold the estate out from under them. That crisis
precipitated a final break with San Francisco for the Duncans, who looked east
for recognition and fulfillment of their artistic visions. More on that in a
minute.
But what of the
ideas and education that formed the Duncan Clan? Mary Dora’s own relatives
influenced the intellectual and artistic development of the four children. Her
sister Augustina had wanted to be a professional dancer. She taught the children
jigs, reels and other dances from the era minstrel shows. Isadora said later her
maternal grand-mother had passed these dances down to the family. A cousin of
Isadora’s on her mother’s side was a child education theorist and reformer, who
had long discussions with Isadora and Elizabeth how children should be raised
“naturally” outside of the current Victorian norm. His ideas became their
matrix, though they chose dance as the core for their own child based
educational development plans. The basis of it was very revolutionary, as it
intended to train the body as well as the mind and spirit, holistically. The
curriculum would include lots of outdoor activities, clothed in non-restrictive
clothing and of course use the greatest art, music and literature of Western
civilization, with an emphasis on the Ancient Greeks. One of Mary Dora’s
maternal uncles was a professor of Greek at a university in Philadelphia, so the
Greek connection was a strong influence in her family.
Isadora and
Elizabeth studied ballroom dancing with a Mr. Massborn, of San Francisco, and
the German language at a local German cultural center. They also took a few
ballet classes but they instinctively rejected the technique as not fit for
young children’s “natural” development, or their own artistic inclinations and
vision.
As Elizabeth
later wrote in an autobiographical sketch titled “Greek Is Living, Greece Once
More!”
“My siblings
were all artistically gifted. Since our early childhood we have been involved
with dance, expressive and theatrical art. Our equally gifted mother always gave
us freedom as children to pursue our inclinations and talents in a playful
manner and she supported us in her habit of reading to us from the works of
major authors.”
At age ten
Isadora piled her hair up on her head and passed for an older girl. She dropped
out of school and spent hundreds of hours reading in neighbourhood libraries. At
one of them she met Oakland poet and librarian Ina Coolbrith, who took an
interest in her literary explorations. Did Isadora know at the time that Ina had
conducted a long affair with her father? We will never know?
In 1894 both
Isadora and Elizabeth were registered in the San Francisco Directory as “dance
teachers”. By this time they had already toured up and down the Californian
coast, appearing professionally as a family in small skits, theatrical readings
and dances that utilized mime. The boys acted and declaimed poetry, while the
girls made the dance their specialty.
When in 1895
Joseph Charles sold the Castle Mansion on them, Mary Dora and the children
decided enough was enough. A family conference ensued and it was decided that
San Francisco would never be the place for artistic acceptance and recognition.
Mary Dora and Isadora left the other three family members and went east, first
to Chicago and then on to New York, where the rest of the family eventually also
headed. Isadora first appeared as a professional dance soloist in Chicago at the
Masonic Roof Garden. It was an artistic flop. A smoky room, filled with men
looking for skirt-dancers and suggestive gestures, while she was trying to
communicate high ideals, beauty and an artistic vision based on Greek art and
natural movement. The job didn’t last long, the managers probably thought she
was too rare a bird to please a semi-drunken crowd bent on
titillation.
In October of
that year, 1895 she joined Augustn Daly’s Theatrical Company. He was a world
famous theatrical impresario with offices in London, New York and Chicago, and
multiple companies touring across North America and Great Britain continually.
She appeared as a dance soloist or mime in various Shakespeare plays and two
plays “Miss Pygmalion” and “The Geisha”. Whether Daly prompted her or not,
Isadora briefly studied ballet while she appeared in Daly’s productions, with
two former ballet stars. In London she studied with Kattileen Lanner and in New
York with Marie Bonfanti. What they gave her artistically we will never know?
She never acknowledged them later in her life and was obviously more determined
than ever to follow her own star. She quit Daly’s company, returned to New York,
where Elizabeth already had a thriving dance school in a downtown hotel, and
started giving “salon recitals”. During the summer seasons, she went up to
Newport and performed in the marble mansions of the elite rich. She was treated
as a pet and an artistic diversion, for their various charity events and
parties. They weren’t interested in her theories of child education through
dance or the resurgence of classical dance as more than a decadent art-form,
which must have galled her. When a the hotel fire destroyed the family
belongings and closed Elizabeth’s New York dance school, the Duncan family held
another conference and decided to Europe they must go, to finally make it. After
a few fundraisers they collectively performed in, Isadora, Mary Dora and Raymond
left for London on a cattle boat to follow their star, while Gus as he was now
called and Elizabeth stayed behind in New York at real paying jobs. The Europe
bound Duncans had no prospects when they left the harbour, and wisely knew they
would need a financial back-up.
PART II
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